Monday, October 24, 2011

Best of Worst of Friday the 13th Special

Best of Worst of
A Special Look at the Friday the 13th Series

By

Kevin Scott Bolinger

Jason Voorhees, killer, not for hire.



   Greetings and salutations my friends. I thought I would get into the Halloween spirit by doing a special look at all the Friday the 13th movies, giving brief glimpses of each entry, and assigning them a small rating, that is in relation to the other films of the series.  The ratings will be as follows, great, good, average, bad, and  do not watch this unless you want your eyes to fall from your skull. I will be spoiling the end of each film, but given the age of these movies, most of you have seen them anyway. 

     To start with, a little background on the main antagonist of all but one of the films, Jason Voorhees. In 1957, the young Jason , an unfortunate boy with a disfigured face, attended Camp Crystal lake, since his mother Pamela worked there. The other campers were very cruel to the young Jason, teasing and taunting him. The councilors paid no attention to Jason or the others, feeling it was better to sneak off and have sex or get high. Eventually, Jason drowned in the lake, his body never recovered.

     The following year, and where the first film opens, two councilors are murdered. After that, the camp became the victim of many unsolved arsons. It was at this time that the camp earned its nickname, Camp Blood. There has been much speculation in what exactly lead to the resurrection of Jason, but no one theory has been pinned down. For a fantastic look at the entire series, with interviews and behind the scenes footage, check out the DVD His Name Was Jason. Now, let us dive right into the very first film. I wont be naming people much, with a few exceptions, since most of them were just there to become victims. So, strap on your hockey mask, grab your machete, and enjoy this look at the films.

     Friday the 13th (1980) :

    As I said above, the film opens in 1958, where two councilors leave the group, and go off to have sex. Someone, unseen, confronts and kills them both. The film then flashes forward to Friday, May 13th, 1980. A young girl is looking for a ride to Camp Crystal Lake. The locals freak at the mention, but she gets a ride anyway. One of the locals, Ralph, tells her the camp has a death curse.

    Her ride takes her halfway, then she ends up hitchhiking. She is picked up by an unseen driver in a jeep, who then chases her into the woods, slashing her throat. While that is going on, another group of councilors arrive at the camp to help get it ready for the summer. Their boss leaves, and of course, they slack off a bit, swimming and fooling around. 
   One by one, the mysterious killer, whom we never see, except for hands and feet, takes out the councilors in  various bloody ways. A lot of the kills happen from the killers perspective, which is very effective.  Their head of the camp makes his way back in a storm, but his vehicle is disabled. He is given a ride back to camp by the cops, and when he gets back, comes face to face with the mysterious killer. Oddly enough, he knows the killer, but that does not spare his life.

    In the end, one girl remains, Alice. She comes across all the dead and freaks. Then she runs into someone she does not know, an older, blond haired woman. The woman seems friendly enough, letting her know her name, Pamela Voorhees. We come to learn about her son Jason, his drowning, and her revenge. The iconic ki ki ki, ma ma ma, that is heard in most of the films, gets its true meaning hear, as Pamela, imitating Jason’s young voice, keeps repeating “Kill her mommy!” She chases Alice through the camp, and eventually catches up to her at the edge of the beach. Alice, in a last desperate attempt to save her own life, grabs a machete, and removes Mrs. Voorhees’s head.

Pamela Voorhees, just showing a mothers love

    The next morning, Alice is seen in a canoe on the lake, simply resting, reflecting on the night before. Suddenly, without warning, the young, now reanimated corpse of Jason, jumps out of the lake, and drags her in. Alice then wakes up in a hospital, surrounded by police. She asks them about the boy, and is informed that they found no boy.

Jason makes his first appearance, and it does not disappoint!


    This film was ahead of its time in the slasher genre. It kept the killers identity hidden for the entire film, though the kills from the killers perspective had been done before, most notably in Halloween, in those instances, the audience knew who the killer was. It presented just enough background to make it interesting. The special makeup effects were outstanding, showcasing some of the earliest work by horror master Tom Savini. I highly recommend seeing this one. My final rating…Great!

Friday the 13th, Part 2 (1981) : 

The first of many sequels opens, after a brief flashback of the end of part one, on the survivor from the first film. Alice, in her own home, walks to her kitchen, only to discover the severed head of Pamela Voorhees in her refrigerator.  As she scream, an unseen killer shoves an ice pick into her skull.

    Five years later, another group attempts to reopen the camp. On the first night there, the head councilor tells the others the history of the camp, telling them of Jason, and his drowning, yet insists that Jason did not die, but is in the woods. He goes on to say that Jason witnessed his mother’s beheading. After another councilor does a stupid scare, we are treated to ore killer perspective shots, this time looking through a hole in a burlap sack.

     Yet again, they are killed off one by one the most dramatic being a wheelchair bound councilor getting a machete to the face as his wheelchair rolls backwards down a flight of stairs in the rain. Eventually, Paul, the head councilor and his girlfriend Ginny, escape the camp and come across a mysterious shack in the woods. They try to lock themselves in, but are attacked, We see it is Jason, wearing a burlap sack to cover his malformed head. Paul tries to fight off Jason, while Ginny runs to another room in the shack, discovering a shrine with Pamela Voorhees’s head at the center, along with the dirty grey sweater she was killed in. Ginny puts the sweater on, just before Jason enters the room. The twisted Jason thinks she is his mother, and she tells him it is okay, he can stop. Jason, on his knees before her, moves his head a little and notices his mother’s severed head. As he is about to attack Ginny, Paul shows up, and Jason is hit in the shoulder with a machete, his sack falling from his head.
Burlap sacks are cool

    Ginny and Paul flee back to the camp. As they begin to feel safe, they are distracted by a dog that once belonged to one of the now dead councilors. Just then, Jason jumps through a window, his disfigured face showing, and he attacks them. The film fades out, with Ginny being put in an ambulance, Paul’s fate unknown, and Jason still free in the woods.

A face only a mother could love


     This one was decent for the first sequel, but really brings little new to the table. However, it is iconic, because it brings the series main antagonist to the forefront. We get to see that Jason is very much alive, and wants revenge for his dead mother. There are a few unique kills, and it does its job of moving the franchise forward. It is still very entertaining, and is recommended. My final rating…Good.



Friday the 13th , Part 3 in 3D (1982) :

This film picks up right where the last one left off. Jason makes his way to a country store, steals new clothes, and kills the owners. We are then introduced to Chris, a slightly disturbed woman who, two years earlier, was attacked in the woods by a disfigured man. She is going to have a fun weekend with her friends at some property her parents own at the lake. We are also introduced to a small biker gang with a grudge against Chris and her friends.

    One of her friends is a practical joker, and one of his stupid scares is done wearing a hockey mask. The biker gang sneaks into the barn at the property, attempting to sabotage the fun of the others, but all three are killed by Jason, who we do not really see. Jason then begins his murderous rampage, killing all of Chris’s friends, including the joker in the hockey mask, taking the mask and creating an image that sticks in the public’s mind to this day.
An Icon is born!

    Jason then confronts Chris, chasing her around the property and into the barn. When he chases her to the loft, she hits him in the head with a shovel, knocking him out long enough for Chris to slip a noose around his neck. And drops him out the barn, hanging the killer. As she goes back down and opens the barn doors it is revealed that Jason is very much alive. He lifts his mask to get out of the noose, and when Chris sees his face, she realizes he is the same man that attacked her two years earlier.

    Jason, now free of the noose, tries to attacker her, but is himself attacked by one of the bikers who managed to survive Jason’s earlier attempt to kill him. Jason cuts off the man’s hands, and begins to slice him up. Using this distraction, Chris grabs an axe and hits Jason in the head with it. He reaches out to her, still moving forward as she freaks, but he eventually falls to the ground, dead. Chris runs to the lake, and like Alice before her, gets in a canoe, and  while she lays on the lake, she is attacked by a badly decomposed Pamela Voorhees. This is revealed to be a dream, and we see Chris, now very mentally disturbed, being taken away, as cops swarm the barn, Jason’s body laying where it fell.
Jason is dead...but is he?

   This one is unique in that is was shot in 3D. It also introduces the very iconic hockey mask that Jason is most well known for. The story is similar to the others, a group of teens, near the lake, killed off.  Still, it is one of the better entries into the series, and is well liked. My final verdict…Good.




Friday the 13th : The Final Chapter (1984) :

    This entry into the series is considered the best by many fans. The film starts with the police clean-up of the crime scene from part 3. Jason is still dead and lying in the barn. Ambulances are removing all the dead, with Jason being the last loaded. We then cut to a hospital, where the Doctor in the morgue is trying to seduce a nurse. He pisses her off, and after she leaves, Jason gets up off the slab and kills him. He then tracks down the nurse, and kills her. How he comes back to life is never explained, but who cares.

    We then are introduced to this films list of victims. A group of teens, heading to the lake for a fun weekend. This time, they have neighbors in a house next to theirs, the Jarvis family. The character of Tommy Jarvis will be central to this film and the next two sequels. In this, he is just a little boy of around 12 years of age.

     As we go through the film, we also meet a hiker, who knows about Jason, and is out for revenge for his sister, one of Jason’s previous victims. He and Tommy’s sister hit it off. There is also a nice set of twins that decide to join a party at the other house.
You are one ugly mother...

     So, Jason returns to his woods, and as usual, kills off the teens one by one. He also kills Tommy’s mom. As the night goes on, he knocks out the power, a storm comes up, and things get crazy. The body count is a little higher in this installment.  In the end, Tommy, his sister, and the hiker are the only ones left. The hiker and Tommy’s sister go to the other house, leaving Tommy all alone in his own home. Jason kills the hiker.

 
When i grow up, I wanna be just like Jason!

     Jason chases the sister back to the other house, and they try to barricade themselves in Tommy’s room. Jason still manages to break in, but they knock him out for a few moments. As Tommy’s sister tries to lead the killer away, Tommy, an amateur in making masks and doing makeup effects, gets the idea to try and make himself look like a young Jason. He runs down the stairs, confronting the masked killer, and his sister knocks off the mask, showing a very deformed face. Jason has had a rough few days, his face getting worse and worse since part 2.
Um, Jason, you got a little something in your eye..oh, never mind

     Eventually they get the better of Jason, and a machete ends up in his head, as he falls, it cuts deeper into his skull and left eye. Tommy and his sister hug, thinking it is over. Then, in what was a big shocker, Tommy notices Jason’s finger twitch, and a madness overcomes him. He grabs the machete from Jason’s head, and just keeps hitting him, over and over, shouting “Die!” with each stroke. The movie ends with his sister in the hospital, recovering from her injuries. Tommy comes in to see her. The camera goes close in on his face, and he looks a bit insane…

    This was the first of the series I saw in the theater, but I was only 10 when it came out. This scared the crap out of me. I didn’t sleep well for days . It really is one of the best of the classic era of the series. My final verdict…Great!

Friday the 13th : A New Beginning (1985) :

When part 4 ended, it really was supposed to be the end of the series. However, it made a lot of money for its budget, so it was decided to take the franchise in a new direction. The general idea was that Jason was truly dead, and that each successive film would feature someone else as the killer.

    This one opens up with 12 year old Tommy Jarvis, in a thunderstorm, near the grave of one Jason Voorhees. He watches as two men dig up the killer, only to have him come back to life and kill them, a scene that almost foreshadows part 6, but we will get to that. Jason then sees Tommy, and moves to kill him. This turns out to be a nightmare by the now 16 yr old Tommy, who is in a van on his way to a halfway house, having spent the last four years in mental hospitals.

    The halfway house is full of many hard cases, kids that have had a rough time in one form or another. One of them is an overweight teen who tries to help, but always makes things worse. Eventually, he comes afoul of one of the workers there, a rough looking man chopping wood. He annoys the man to the point where he hacks up the fat kid in front of everyone. Later, when the body is being loaded on the ambulance, one of the drivers seems really shaken up by this murder.

Look! It's not Jason!

     Tommy is shown to be very withdrawn after his run in with Jason four years earlier, and he rarely speaks. To make matters worse, a new killer is in the area, acting like Jason, even sporting a hockey mask. Tommy does make friends with one of the younger people he meets at the home, though he is not a resident. The kid  calls himself Reggie the reckless, and he is only there because his grandfather works at the home.

    As the norm goes, people begin to get killed off, one by one. Some in the woods, some in he halfway house, and even a few at a diner. The best has to be the hillbilly mom and her son. They hate the nuts in the halfway house, but are not taken seriously. Both are killed one right after the other. Eventually, only Tommy, Reggie, and one of the councilors from the home, Pam, are left.

   The soon come face to face with the killer. He chases them around for a while, Reggie gets a bulldozer and hit’s the guy with it, knocking him out. The guy gets back up, chases them into a barn, and he stabs Tommy. Tommy fights back, stabbing the killer in the leg, but he then passes out from his wound. The killer chases Reggie and Pam to the loft, and somehow, Reggie knocks him out the doors on the top, causing the killer to fall onto a bed of spikes. They all climb down to see that the killer was wearing prosthetics to make himself look like Jason. It is revealed that the killer is a guy named Roy, he was the shaken up ambulance driver at the beginning. The overweight teen that was hacked up was his son. He took it upon himself to avenge his sons death by pretending to be the notorious Jason. The film ends with Pam in the hospital. Apparently, Tommy puts on a hockey mask and kills her, but all this was ignored going into the next film.

Jinkeys, it's old man Roy!





     This one was a sad experiment on how to do things wrong. It had it’s moments, but it really is one of the lower entries into the franchise. Is it the worst? No, but t is nowhere near as good as the four parts that preceded is. My final verdict…bad.








Jason Lives : Friday the 13th Part 6 (1986) : 

     Wisely, the heads at Paramount decided to forgo the new killer angle, and the next installment brought us a return of Voorhees. The film we got has a much different feel to the others, yet still retains familiar elements. It is also my personal favorite of the series.

    We open with a truck barreling down a road. The driver, and much older Tommy Jarvis. With him is his friend Hawes. Tommy means to send Jason to hell for good. His plan, dig up his body and burn the rotted corpse, ensuring that he will never rise again/. They get to the cemetery, his friend getting nervous, and dig up Jason. His body is covered with worms, maggots and spider webs. Tommy sees him, goes and rips out a spike toped pole from the nearby fence, and stabs the body repeatedly. He then tosses the hockey mask in the grave, and turns back to get the gasoline. As soon as he does, two lightning bolt strikes the metal pole now sticking out of Jason’s body. After the second one strikes, we see Jason’s right eye open.
"Yeah, cuz he's back...!

    Jason sits up, crawls out of his grave, and with one swipe, rips out Hawes’s heart, causing the latter to fall into the grave, the coffin lid slamming down on him, his foot hanging out. Tommy then throws the gasoline all over Jason, but as soon as he lights the match, it begins to rain hard. Tommy runs for his life, with Jason returning to his grave to get his mask and the pointed pole.

    Tommy runs to the local Sherriff, who doesn’t believe him. The town, it seems has renamed the are and lake Forrest Green, to hide its past association with Jason, and the last thing they needed was a nut spewing nonsense about the killer returning. Meanwhile, the grave keeper at the cemetery see the open grave, and the foot hanging out, and decided he doesn’t want to touch it, so he just refills the grave.

    Jason begins his killing spree, first by killing the two head councilors that are on their way to the newly opened Camp Forest Green. Then, he comes across a group of corporate big wigs playing paint ball in the woods, killing them all. He then kills the grave keeper and a couple that were making out in the woods. For him, it was good to be home.

    Tommy is arrested after trying to run from the police back to the graveyard. They see the grave is filled back in, but the refuse to dig it up. At the camp, the Sherriff’s daughter and her friends are soon greeted with another horror, and a first for the series. Actual campers at the camp. With the head councilors a no show, it is up to them to organize things.  Jason soon finds his way to the camp. Tommy was escorted out of town, but has a new plan. The Sherriff’s daughter, Megan, decides to help him. She meets him out of town with the stuff he asked for, but they are caught by a road block set up by the Sherriff. Bodies are beginning to be found, and they are blaming Tommy.

    One of Megan’s friends is away from the camp, having sex with a girl in an RV. Jason pulls the power on the RV, and the two get dressed. The guy goes outside to check what happened, and sees the power cord is broken. The girl comes out as well, and the two decide to leave. The guy drives the RV but they did not notice that Jason got inside. He grabs the girl into the bathroom, and smashes her head so heard against the wall, it leaves an impression on the side of the van. Jason then kills the guy, causing the RV to flip and crash.

    Back at the jail, the Sherriff now has Tommy locked up, and is refusing to le his daughter return to the camp. He gets a phone call about the accident with the RV, and when he tells his daughter the time it took place, she lets him know that Tommy was with her the entire time. The Sherriff leaves, and Megan and Tommy trick the deputy. Tommy, now free, goes with Megan to the camp. His plan is to return Jason to his original resting place, the lake. 

    The Sherriff and his men get to the camp, only to find the councilors are all dead, but the children are fine. The other two officers are killed, and the Sherriff comes face to face with Jason. Realizing too late that Tommy was right, he flees to the woods, Jason close behind. Megan and Tommy get there while this happens. Jason decides to go after Megan, but the Sherriff jumps him. Jason bends him in half.

    Tommy loads a very large rock onto a boat, and wraps heavy chains around it. He then taunts Jason into following him out into the water. Jason does, walking till he is submerged. Tommy pours gas on the water and lights it to bring Jason up. He eventually gets the chain around Jason’s neck, and Jason breaks the boat in two, getting dragged under by the large rock he is now chained too. He pulls Tommy down, drowning him. Megan swims over to save Tommy, but Jason grabs her. She starts the small motor on the back half of the boat, and cuts up the side of Jason’s head. She gets back to shore with Tommy, reviving him. The movie ends with Jason floating under the water, chained to the rock. The camera pulls in close to his hockey mask, where we can see his eye is still open, very much alive.
This lake wont hold me forever!

    I really do love this one, a kicking soundtrack provided by Alice Cooper helps set the tone. The effects were out standing, the makeup on Jason is probably the best of the series.  This one is highly, highly recommended. My final verdict…Great!












Friday the 13th Part 7 : The New Blood (1988) :

     I have a few issues with this one, but not with the story. My main gripe in that the production team paid very little attention to the last film. Jason goes from being in a button down dark shirt, dark pants, a utility belt and yellow gloves, to being in a blue jumpsuit. I don’t mind a character changing clothes, but Jason was chained to the bottom of the lake, when did he get out to change? And why would he get back in once changed? I know a minor gripe, but had to point it out. The other gripe is with the setting. Jason was chained to the lake about forty feet from shore, near the camp. Now he is off shore, but near two houses…I guess after he changed clothes he also decided to move his rock to a new location.

    The film opens in the year 1990. A little girl runs out of a house crying, because her dad hit her mom…again. She gets into a boat at the end of a very nice covered dock. Her father runs out of the house to go after her, to apologies, but the girl has mind powers. She uses her gift to bring the dock crashing down on her dad, killing him and trapping his body on the bottom of the lake.

    Ten years later ( this explains why part ten take place in space I guess, since the sequels take place many years after the year they are filmed in,) the girl, Tina, returns to the lake house with her mom and her Psychiatrist. In the house next door, a group of teens has gathered to throw a surprise party for the cousin of Nick, a guy who immediately takes a liking to Tina. Dr. Crews has brought Tina there, not to help her, but to exploit her talents. Tina gets mad at him, storms out of the house and to the dock. Her gifts manifest when her emotions are high, and she attempts to resurrect her father. Instead, she breaks the chains holding a badly decomposed Jason to the lakebed. She watches him rise, and passes out.
Um, Jason, I can see your ribs, eat more.

   Jason is in bad shape, his bones visible all over, including his spine, fingers, legs, jaw. Right away, he goes on his usual murderous rampage. He kills a bunch of couples in the woods, and then makes his way towards the two house. Tina can apparently see either when Jason is killing someone, or just before he does. Eventually, Dr Crews pisses her off again, and she runs off with her mom’s car, crashing it down the road when she has another vision. Her mom and Dr. Crews chase after her, but Jason finds them. Crews throwing the mother in front of himself, so that she gets killed while he runs.

    Those in the party house are of course, killed off. Nick meets up with Tina, and they want to get everyone out of there, after Nick had found his cousin dead in the woods. He decides to go get the others from the party house, while Tina runs off to try and find her mom. She meets the Doctor in the woods, and sees he is covered in blood. After the Doctor lets her know her mom is dead, Jason quickly dispatches him. Tina runs back to her house. Nick also returns, now that the others are dead, except for the one really snotty girl. She is also at Tina’s house, but Jason soon breaks in, thankfully removing her from the film.
Dude! you need a dentist, stat!

    Tina starts to fight Jason with her powers, even snapping the mask in half, exposing his badly malformed and decomposed face. Eventually, a hole opens up, and she and Jason find themselves in the basement. She uses her power to cover him in gasoline, the lights him up with the fire from the furnace. She gets out of the house with Nick, onto the dock, and the house explodes behind them. Jason is still not done with them, he to gets to the dock, and in a last ditch attempt, Tina brings back her dad to drag Jason back to the lake, dropping the dock on him as well, to keep him there. The film ends with Tina and Nick being taken away together in a ambulance.

    My ranting earlier aside, this one wasn’t bad. It did try to hard to be different, and in some ways it did succeed, but it failed in others. It did, however, mark the first time Kane Hodder put on the hockey mask of Jason, something he would do three more times, a record for any one actor in the role. My final verdict…average.

Friday the 13th part 8 : Jason Takes Manhattan (1989) :

    This film marks the end of an era. No longer would Paramount hold the rights. This was the final Friday made under their watch, and I am sad to say, they did not go out well. The title conjures up so much potential, yet it is all wasted. The real title of this should have been Friday the 13th Part 8 : Jason Takes a Boat Cruise. I am not even kidding, they do not even get to New York City till the last 20 minutes of the movie…I call that false advertising.

    The film opens up with two high school graduates on a boat. The guy drops the anchor, right near the ruins of the camp…funny how the two houses or dock from the previous film are anywhere nearby, but I digress. The guy thinks it will be funny to scare his girl with a Jason hockey mask. What they are both unaware of is that the anchor has hit a power line, and electricity has now resurrected Jason. He climbs on board, wearing, oddly enough, more clothes then in the previous film…enough said. He kills them both and take the boat.

    The next day, we see a car with a teen and one of her teachers arriving at a dock. The graduating class is taking cruise to NYC as a celebrations. They all board the LAZARUS, a small motor vessel, captained by one of the students fathers. One of the deckhands notices the boat from the movies opening drifting nearby. Jason then makes his way aboard the boat, just as it pulls away from dock.

    One of the teachers happens to be the girls very overprotective Uncle, but he is also a very unlikable person. It is a real shame he makes it almost to the end of the film. Anyway, Jason begins to kill everyone off on the boat, as per his usual M.O. After he kills the Captain, it is up to the man’s son to get them to the city. A storm comes up, the ship begins to sink, and only five of those on board manage to get into a lifeboat. The five, the teen, the teacher she came with, the nasty uncle, the Captain’s son, and a boxer. Also, the girls dog, who vanished earlier on board ship, somehow just miraculously shows up in the lifeboat.
Awww, New York loves me back

   Finally, we get to Manhattan, though it mysteriously looks more like Toronto. Our survivors get to the dock, climb up and begin to look for a phone. Somehow, Jason, without the aid of paddle driven water craft, is only a few minutes behind them. I guess all those years on the lake bed have given him webbed feet for fast travel in water. The group is mugged, with the girl taken by the muggers. They drug her, and are about to rape her, when Jason shows up…and saves her by killing the muggers, allowing her to escape.

    The boxer finds a broken phone, then Jason finds him. He manages to get to a rooftop, where he begins punching Jason reputedly.  Jason lets him continue till he wears himself out, then with one punch, Jason knocks his head off, and into a dumpster below. The other four manage to find a cop, but when they open the door to his car, the boxers head is in there waiting. Jason has found them. He quickly dispatches the cop. 
No ticket, no subway ride!

   All through the movie, the girl has had flashes of Jason as a boy, drowning, begging for help. It turns out that when she was a kid, her Uncle had tried to force her to learn to swim, telling her if she didn’t she would drown like Jason. Apparently, even though she is only 17, and clearly Jason was around as an adult killing already when she was 9, which if you follow the timelines from the other films, you can clearly do the math, considering this one is set after part 7 which was set in the year 2000, the young Jason had grabbed her under water, leading to her fears and everything else. Sorry to ramble on there, but that is a really large plot hole, one you could drive a Sherman Tank though. Anyway, she jumps into the front seat of the cop car, and runs Jason over, then as she continues to drive, see the child Jason, and attempts to run him down as well, slamming into a brick wall.

    Three of them get out of the car, but the teacher she first showed up with in the film, doesn’t. The cop car then explodes with way more force then the modest amount of fuel in a gas tank would allow, Michael Bay, eat your heart out. Now that she remembers what her Uncle did to her in the past, throwing her into the lake to force her to swim, she storms off with the other surviving teen. Jason then finds the uncle, and we finally are rewarded with his death, Jason holding him in a barrel of toxic water, drowning him, tragic irony, or poetic justice…you be the judge.
Mommy?



    The two escape into the subway, but Jason follow. They think they are safe on the train, but they are not. The filmmakers decided to show how no one in NYC cares, and everyone ignores their pleas for help from the obvious maniac trying to kill them. They jump off the speeding train, unhurt, and Jason follows, but he hit’s the third rail and is electrocute. Thinking it’s safe, they head to the surface. They get barely twenty feet from the subway entrance,  and  Jason is behind them. They run, and he follows, smashing the radio of some punks. They threaten him, but all he does is lift his mask and scares them off.

    The two run into a diner, and yet again, we a shown that the typical New Yorker cares not for their fellow man…the writers really needed to actually go to New York, and see how people there really act.  Anyway, Jason enters, kills someone, and the two run. They end up in the sewer. A maintenance worker informs them that the entire sewer system gets flushed out with toxic waste every night at midnight, for some odd reason, even though that is the dumbest thing in the world. Jason is down there, knocks the boy out, kills the maintenance worker, and chases the girl. She finds a small bucket of toxic waste…just go with it, and throws it into Jason’s face. It melts the mask, and reveals what is one of the worst Jason makeup’s ever!
   
    The girl runs back to the boy, and they try to get out of the sewer at a nearby ladder, but the grate above is locked. Jason now staggers drunkenly towards them. He grabs the girls leg, to pull her off the ladder, just as the toxic waste begins to flush through the sewer.  In what has to be the dumbest moment to date in the franchise, and believe me, the next movie is worse, Jason looks at the oncoming toxic waste, calls out in a little boy voice for his mommy, then begins foaming at the mouth…I cannot make this stuff up. His boy begins to succumb to the toxic waste, his head falling to pieces as he screams. Once the flush is finished, all that is left of Jason is the perfectly preserved corpse of his little boy self, complete with the swimming trunks he drowned in. That actually hurt my brain to write. Anyway, the movie ends with our two survivors coming out of the sewer near Times Square, the only real NYC location, by the way, and miraculously, the girls dog finds them, despite the fact that he ran off long before they rode the subway halfway across the city.

    This one was dumb, it had potential, it even started off strongly. However, they spent way too much time on the damn ship. Jason barely did anything in Manhattan besides kill a cop, and a few punks. Skip this one unless you really want to see the entire series. My final verdict…bad.

Jason Goes to Hell :The Final Friday (1993) :

     We finally come to it, the movie that almost killed the franchise. New Line Cinema, famous for bringing us the Nightmare on Elm Street films (See my two part look at those for my opinions, right here in my blog page.) was now in control of the rights to the Friday franchise. Right out of the gate, they bring us a story so dumb, a premise so ridiculous, that I am having a hard time making sense of it enough to fill in this entry. Expect multiple rants in this…

    We open with an unknown woman going to a cabin in the woods. As soon as she enters, a light bulb burns out, and she has to leave the cabin, go to a shed, and retrieve a new bulb, not the most convenient place to store something like that, but I digress. She replaces the bulb, and strips to take a shower. Before she can get in the water, the power goes out. She goes to see what’s wrong, and we see Jason…and he looks awful. I mean really, are they trying to say the toxic waste from part 8 fused the mask to his face? It looks like his skin is growing around the mask…sorry, got sidetracked. She runs, he chases, she stops, he stops, and then all these lights go on in the middle of the woods. It is a military sting to kill Jason…I..I have no words. So, they shoot him, then blow him up.
Um, Jason, your mask is a bit tight.

    We find ourselves in a morgue, many states away, the pieces of Jason’s body having been flow there. The coroner is examining him for the record, but when he gets to the heart, it starts beating . There is no blood, only a black viscous fluid. For some reason never explained, the coroner eats the heart. Another coroner comes in, and starts taunting Jason’s remains. The first coroner, now apparently Jason in a new body, kills the other, and the two guards that were outside the morgue.

    Jason is apparently a national celebrity, as a tabloid talk show how talks about him, and how three were killed at the morgue where his remains were taken. He then shows an interview he did with a bounty hunter. The hunter is determined to track down and kill Jason once and for all, but he wants 500,000 dollars. This is also the point where the writes thought it would be cute to throw in things from other famous horror films. The Bounty hunter pretty much quotes Quint from Jaws when he names his price…owww, that hurt.

    We are now brought to the Crystal Lake area, where we meet a waitress. Apparently this waitress’ daughter and a young man at the counter, had a relationship that went sour. With all the Jason talk, she asks him to come see her later, so she can tell him something important. Meanwhile, she goes to wait on a table, and we see it is the bounty hunter. He tells her he needs her to kill Jason. Ok, I am gonna spoil this now, and save you all from reading a lot more rants. She is really Jason’s younger sister, that we never heard of till now. Apparently only a Voorhees can kill him, but he can also be reborn through a Voorhees, and how that happens. Well, lets just say necrophilia comes to mind…

    The young guy picks up some hitchhikers and takes them to the old camp area. He then heads to the waitress’ house. The coroner/Jason then kills the three hitchhikers. He then kills another woman and kidnaps a cop, taking him back to the old Voorhees house, again, never seen before. They must have been a very rich family, because the house is massive. The coroner shaves the cops mustache off, then he gets in close, a black giant sperm-like thing comes out of his mouth and into the cops. Jason is now the cop…oy.

    The young guy shows up at the house of the waitress, and before she can tell him her secret, the cop/Jason attacks, killing her. Despite being shot through the head and stabbed, the cop keeps going. The Sherriff shows up, and he blames the young guy for the woman’s death. He is put in a cell next to the bounty hunter, arrested earlier for being rude, did not realize that was a crime. The bounty hunter gives him information about Jason in exchange for breaking his fingers.

   The woman’s daughter shows up, with a bay, of which the young guy is the father, and her new boyfriend, the talk show host from earlier. The young guy then breaks out of prison, by using one of the cops whom he is friends with. Taking the bounty hunters advice, he makes his way to the Voorhees house…where we get other horror reference number two, the Voorhees family had the very same copy of the Necronomicon that Ash was always dealing with in the Evil Dead movies, how quaint.
   
   As he is searching the house, he hears a noise. The tabloid host shows up, gets on his phone, and brags to his producer that he stole the woman’s body, placed it in the closet, the same one the young guy is now in, and then that he had gone home and banged the woman’s daughter, all class this guy is. His plan is to film from the house, and discover the body there, claiming Jason took the body of his sister and brought it home. His plans go south, however, when the Jason/cop shows up, and Jason is transferred into the host, with the cops body shown to begin melting away.

    The young guy sees all this, and knows his has to protect his ex and their baby. He gets to her as she is showering, and forces her to leave with him. She only has a shirt on as they do this. Once in the car, the Jason/host guy shows up, and the dude runs him over with the car, then backs over him for good measure, but he gets right back up anyway. As they escape down the road, the young woman hits him hard, and knocks him out, leaving him unconscious at the side of the road.

    She goes to the police station, and tells them where he is, which ends up as  horror reference number three. He is located down the road from the Myers house. Amazing how many famous horror event are connected to Crystal Lake. So, his friend cop finds him, but is pissed about how he used him to escape, and the two fight. Then they return to the station. They get there just as Host/Jason is attacking, killing several cops, and almost possessing the ex-girlfriend. They escape, and go to get their baby back from the diner where she is being watched.

    They get there, the Jason/Host gets there, many are killed, and the baby is missing, replaced by a note. The baby’s mom leaves alone, and goes to the Voorhees house. The bounty hunter is there, with the baby. He gives her back the child, but convinces her to help him kill Jason. He gives her a small knife, which, when she grabs it, turns into a huge magic dagger. The baby’s dad shows up, as does Host/Jason. The bounty hunter falls through the floor, and into the basement, where the body of the woman’s mother is now sitting. Also down there, we are treated to our next horror icon reference, a crate from an Antarctic expedition, ala, the Thing.

     They beat down the Host/Jason to the point where the little sperm, demon thing leaves his body, causing it to melt. It falls through to the basement, and basically makes it’s way into the dead Voorhees woman’s body through her vagina…just typing that makes my skin crawl. So, so bad, and just wrong. Anyway, Jason is now reborn, yet instead of being in his original, uncrowned and not ruined body he was born with, he comes out fully grown, in the same clothes, and looking exactly the same as he did at the beginning of the film. He kills the bounty hunter, the woman stabs him with the magic blade, he is grabbed by hands from the ground and dragged to hell. The film ends with his mask on the ground, and then, our final other horror reference, and the best know from this film, the arm of Freddy Krueger comes out of the ground, grabs the mask and drags it to hell, laughing.

Freddy? What the Hell?



     This Movie SUCKS! There, I said it. It has tons of plot holes, ignores a lot of the continuity from the previous eight films, and just plain makes no sense. I would avoid this one like the plague. Seriously…my final verdict…DO NOT WATCH THIS UNLESS YOU WANT YOUR EYES TO FALL OUT OF YOUR SKULL!!!



Jason X (2002) :

    Someone, somewhere at New Line thought had the idea of making a Jason in space movie. This one was definitely played more for laughs, making it more akin to the latter A Nightmare on Elm Street films. Some argue the same can be said for Jason Goes to Hell, but the comedy is better executed here then it was in the previous film. Does that make it good? Well…not really. This film was merely a stop gap effort while Freddy vs. Jason was still caught up in development hell. It too is very inconsistent with established lore, but I think it does it on purpose for the sheer camp value.

     Our movie opens at the Crystal Lake Research Center. Why a small little town like Crystal Lake would have a high security research center is beyond me. As the credits roll, we see doctors running experiments on someone or something. As the credits end, we see that it is Jason Voorhees himself, now apparently captured and chained, very heavily. The soldier guarding him does not like that Jason is looking at him, and throws a blanket over the killer. 

    Next we meet Rowan, a research leader, determined to see Jason frozen, since they have no other way to kill him. The higher up, however, have different plans, they want to exploit Jason’s ability to regenerate tissue…which if this were true, he would still have two eyes…but enough on that. Despite her protests, her boss and some army guys go in to move Jason. They remove the blanket, only to see that the guard is now hanging there dead. Jason quickly dispatches everyone in the room.

     Rowan grabs a gun and runs, Jason behind her. She leads him down to the cryogenic freezing chamber, and knocks him in, starting the freezing process. Before he is completely frozen, however, Jason manages to shove his machete through the door and into Rowan. This causes the entire room to be locked and frozen.

     Roughly 450 years later, an expedition enters the long abandoned research facility. They have a female android with them, KM 14, who scans the area, and the frozen Jason and Rowan. Realizing Rowan can be resurrected with their technology. They decide to bring her back to their ship. They are gonna take Jason as well, but one of the dumber students in the expedition, accidentally bumps into Jason, causing the frozen killer to fall, and the still sharp machete to cut off the dumb guys arm. He is quickly hit with pain killers and a magic self sealing bandage.
Look! We found a Jasoncicle!

    Earth it seems has become an uninhabitable wasteland. The expedition boards their shuttle and heads back to their ship, the GRENDEL, a space catamaran, with a main drive in the center, and two storage pontoons on outriggers. Jason is brought to one lab for study, while Rowan is brought to another for healing and revival. Thousands of nanobots cover her, repairing her wounds.

    In the other lab, one of the more serious students is cataloging Jason, unaware that he has thawed out and is still alive. He grabs the young woman, throws her to a wall, then grabs her head, dips her face in liquid nitrogen, the smashes it on the counter. Jason then goes on to kill one of the students, right after he and his girlfriend have finished having sex, naturally.

    Besides the students and their teacher the ship also has a few pilots, as well as a heavily armed Marine Corps unit. They gear up, while Jason comes across the dumb kid from earlier, and one of the Marines playing a game in the holodeck. Jason kills the hologram versions of the two, then, he kills the real versions. The Marines are ready to take Jason on now, or so they think, as he quickly takes them out one by one. He stabs their leader, Brodski, through a door with a spike, then when the tough as nails Marine refuses to go down, he shoves his rather large surgical knife in him.

    The ship is approaching a rather large space station, where it is hoped a team there can contain the killer. Unfortunately, Jason kills the pilot, and the ship crashes into the station, losing one of its pontoons. As the ship speeds away, the station behind them explodes, making this Jason’s highest body count to date, because there were hundreds on the station. He then goes after the students, now joined by the other pilot. Jason jumps through a window into the lab, and the students escape, but not the professor.

    Jason looks down and sees his old machete. The professor thinks that this is all Jason wants, and tries to reason with him. He thinks he is safe after giving him back the machete, but Jason kills him. The others decide to make for the shuttle and flee. As Jason gets closer, the one girl whose boyfriend was killed earlier, freaks and locks everyone out of the shuttle, then crashes it, killing herself. As Jason is about to kill the three by the shuttle doors, he is met with a surprise.

    The guy that built the KM android has given her a kick ass upload. She is now programmed to fight and kick ass. Jason throws his machete into her midsection, and KM collapses to the ground, but this is just a feint, as she begins to get the better of him. Eventually, she blows off his arm, a leg and then about 90% of his head. His body collapses on the medical scanner, breaking it.

    The Marine leader is still alive, so they take this opportunity, with Jason apparently dead, to heal him. The ship is shaking, as the damage from before is starting to weaken it. They decide to use charges to blow off the last pontoon, and use it as a lifeboat. Meanwhile, in the medical lab, a short circuit causes the nanobots to swarm over Jason. They do not have enough flesh to rebuild him, so they use metal from the ship.

     Just as they are finishing setting the charges to blow off the pontoon, they are confronted by the now Uber-Jason, and yes, that is his proper name. He is now many time stronger, half covered in metal, and even more deadly. He quickly dispatches the android by knocking off her head. Rowan and all but one of the others, escape back into the main ship, and the student with the detonator in the hallway, blows the charges. The pontoon now gone, they survivors need to make their way to the other side of the ship, where a rescue shuttle has just arrived. 
Don't screw with me, woman, I am the Uber-Jason!

     Before they can exit the room they are in, Jason punches through the hull  and one of the students is sucked through a grate and into space in tiny pieces. The others run, but the door to the rescue ship has no power. The Marine suits up and takes a space walk. Jason is quickly making his way through locked doors. They need to slow him down and distract him, and we get to one of the funniest and best sequences in the movie.
  
 Using the KM androids head, which is still perfectly functional,  the one student programs the holodeck with a recreation of Camp Crystal lake 1980. To further slow the killer down, two female councilors are created, who talk about smoking pot and having sex, then they take off their tops and climb into sleeping bags. Jason spends a few moments beating them to death, then resumes coming after the survivors. Rowan and the student, along with KM’s head, get aboard the rescue ship, and before Jason can follow, Brodski locks him out. The rescue shuttle leaves just as the GRENDEL explodes.

     They are in orbit of Earth 2, and as they breathe a sigh of relief, it turns to dread. Jason is floating right at them fast through space. At the last second, Brodski, still in his spacesuit, grabs Jason and the two plummet through the atmosphere, burring up on re-entry . On the planet below, two teens by a lake see the shooting star the two made, and say something landed in the lake. The film ends with a shot of Jason’s metal mask, burned and slightly melted, sinking to the lakebed.

    This one, while not good, still has great camp value. It plays a lot like Aliens, but in a more goofy tone. It was not well received though, and was the last of the classic Friday films. But I am not done yet, we still have the crossover, and the remake to discuss! My final verdict…average, though leaning towards bad.

Freddy vs. Jason (2003) :  
 
This is the one most fans of the Friday the 13th and A Nightmare on Elm Street films had been asking for. The two titans of slash, going head to head. The idea originally came about in 1987, but since the two franchises were owned by different companies, it was stuck in development hell. Then, when the Friday films were brought over to New Line Cinema, it was thought that the film would be made, but, a decent story could not be fleshed out, and it languished in hell for another decade. 

    The film has a lot of controversy to it, most notably, the recasting of Jason. Fans wanted to see Kane Hodder, for many felt he was the best as the hockey masked killer. The Producers and Director Ronny Yu, however, wanted someone a few inches taller, so that Jason would tower over 5ft 10 Robert Englund’s Freddy. So they went with stunt man Ken Kirzinger, a stunt man who had previously worked on Friday VIII, being a stunt double and fill in for Kane Hodder in a few shots. Yu wanted a more lumbering, slow moving Jason in the film, and felt that Hodder always played him a bit to energetic.

    The film opens with a woman skinny dipping in the lake. She gets out, thinking her boyfriend is there, then gets spooked. In the woods, she encounters Jason, who kills her, but then she speaks about the error she made, her body morphing into several others also confessing. We are in Jason’s dream. Suddenly, Jason sees his mother, who tells him he needs to go to Springwood, to hunt the children of Elm street. We then see Jason’s almost completely decomposed body, lying in the ground. It begins to regenerate, and the killer gets up and begins taking the slow walk to Springwood. We then see that his mother was really Freddy Krueger, hoping that Jason would cause enough fear on Elm street to get his powers back..

    It turns out that the people of Freddy’s old hunting grounds had found away to make everyone, teens especially, forget Freddy. Without the fear he had brought to their dreams, Freddy lost all power, and ended up in Hell. Everything about him was removed from public record, never to be brought up again.

    We then go to a house in Springwood, where a group of friends are hanging out drinking and being typical teens. Two of them go upstairs to have sex. Afterwards, the girl goes to shower, and Jason walks in and kills the boy, stabbing him several times, and then folding him in half with the bed. When the cops arrive, the girl whose house the murder took place in, overhears someone say the name Freddy.

   As the film goes on, Jason kills more of them, all the while, Freddy growing strength. Eventually though, Jason crosses a line, and kills one victim just before Freddy was about to claim her. This pisses Freddy off, he needs the souls to survive.

   The main characters begin to learn about Freddy, then a cop tells them about Jason. Realizing they are not safe awake or asleep, the go to a mental hospital, to try and get the experimental drug, hypnocil, first mentioned in A Nightmare on Elm Street 3. At the Mental Hospital, Freddy possesses one of the teens, and dumps all the hypnocil. He then load two very large syringes with a very powerful sedative. As the others run from Jason, and with Freddy in control, the teen jabs both needle in the killer, but before Jason passes out, he slices the kid in two.
Welcome to MY nightmare, ugly!

    They now figure the best thing to do is to bring Jason back to Crystal Lake, which would effectively save them from one of the killers. They keep him sedated, but Freddy invades Jason’s dreams. The two fight in the dream world, with Freddy clearly having the advantage. Freddy figures out Jason fears water, and uses it against him. In the real world, Jason is drowning in the back of the van. They realize they have no choice, Freddy must be brought to the real world, then they can deal with both killers.

    The one girl gets sedated, and enters the dream. She is at the camp, on the day Jason drowns. The kids are teasing the poor , malformed boy, and he runs off the dock, and starts to struggle in the water. The councilors are not paying attention, two of them screwing in the corner of a porch. Then the one councilor turns out to be Freddy, and the girl he was banging is now a dead husk. She goes to try and help the little drowning boy, but realizes it is Jason, and she freaks.  Freddy then dramatically leaps from the water, and lands on the dock.


     In the real world, the wake up Jason, and he causes the van to flip and crash. The crash keeps the girl in the dream world unconscious and face to face with Freddy. Jason chases the others to the camp site, being torn down to make room for houses. Jason causes one of the old cabins to catch on fire, and the one boy uses the flames to wake the girl up, while she is holding Freddy.

    Now in the real world, the two finally face off. The fight rages on all over the construction site. Sometimes Freddy gets the upper hand, sometimes Jason. As they are fighting, the two remaining teens get ready to set the whole place to blaze, hoping to take out both killers. Near the end of the fight, Jason rips off Freddy’s right arm, but Freddy buries Jason’s machete deep in his body.  The teens light the explosives and gas, and we get a nice approximation of a huge Baysplosion!
Welcome to my lake, bacon face!

    With Freddy and Jason both blown into the lake, the teens think it is over, however, they are wrong. A figure staggers towards them, carrying a machete. It is Freddy, looking worn and winded, but very much alive. Suddenly, Freddy’s own gloved right arm explodes out of his chest, and we see Jason behind him, sliding back in the water. The girl grabs the machete, and cuts off Freddy’s head, sending it and his body into the lake. Our film ends with a scene on the lake of Jason slowly emerging from the water. He is carrying Freddy’s head to his cabin. The head then smiles, winks and fades out on laughter.

    The film was looked down upon by critics, but was a box office success. However, it does not hold up as well with multiple viewing. I am sure they could have come up with a better way to match these two icons together. I enjoy it, but only once in a while, and more for Freddy than Jason. I could never root for one or the other, being a big fan of both. If you haven’t seen it, check it out, but do not expect a masterpiece. It is a popcorn movie, plain and simple. My final verdict…average.

Friday the 13th (2009) : 


     We finally come to our last film, the remake of the original, produced by Michael Bay’s Platinum Dunes company, which has been remaking many of the classic 80’s horror films, but only succeeding in reminding us how much we love the originals. This particular remake take some of the event, though very loosely, of the first three Friday films and tries to do a retelling. They also throw in a few elements from part IV.  In fact, the events of the first Friday film happen in the first two minutes of the film. While I enjoy the remake, it in no way compares to the original films. 

    As the credits roll, we get flashes of scenes showing a woman confronting a councilor on the lakes beach in the rain. She is blaming the girl for not watching her son, and allowing him to drown. As the woman tries to kill the girl, the girl decapitates her with a machete. We then see  young boy, though we only see bits of him, go over to the fallen dead woman, where he takes the machete and her locket.

    Twenty years later, a group of people are camping in the woods. Two of them are there to find a legendary stash of home grown marijuana. Later that night, two go off, and find the old camp. Two others go off to a tent and have sex. The final guy goes for a walk, and he finds the pot, only to be killed by Jason. Let that be a lesson, do not mess with a serial killers stash!

    The ones having sex stop, because they hear noise. The guy goes out, gets his foot caught in a bear trap. The girl is dragged out of the tent by Jason, his head wrapped like a mummy with one eye hole, and with her in a sleeping bag, he hang her over the fire, where she burns to death.

    At the camp, the other two find a badly decomposed head of a woman in a shrine near a bathtub. Jason then grabs the guy through the floor, and kills him, the girl running back to where her friends were camped. She gets there, sees her one friend burned to death, and tries to help the other get his foot out of the trap. Jason shows and cuts the guys head in half, and the scene ends with him violently swinging the machete towards the girl, but we do not see the outcome.
My sack is better then your sack!

    A few months later, and a group of friends are going to the rich guys lake house to have some fun. At a gas station, they run into a guy looking for his sister. She happens to be the one we never say Jason kill in the opening. The rich guy is rude to him, and he leaves. What follows is pretty typical for these films, almost everyone is killed. I will hit a few highlights.

   The films producers really wanted Jason in the hockey mask, so we get a scene at a work farm, where a stoner has some of the weed from the woods. He hears a noise coming from the loft in the barn he is “working” in. He goes up, and starts talking and feeling up a manikin. Jason appears behind him, the guy manages to rip off the wrappings covering Jason’s ugly face, and Jason kills him. He is about to re-wrap his face, when  he notices a hockey mask on the floor. He puts it on, and in what I think is a dumb shot, he admires himself in the mirror.

    Eventually, the guy looking for his sister, and one of the girls from the house get together, and the rest are killed. They find out that Jason has tunnels under the woods, allowing him easy access to the whole area. Down in the one tunnel, the guy finds his sister, Jason having kept her alive because she looks just like his dead mother. Jason find the three there, and the girl from the house is killed. The other two eventually escape, with Jason close behind.
 I can throw axes suck

    They end up in the barn from earlier, and eventually get the better of Jason. He is stabbed, hung, and then strangled, as a chain around his neck is pulled into a wood chipper machine. For good measure, the girl stabs him with his own machete. Jason is now dead.

    The next morning, we see that the two are dumping Jason into the lake, followed by his mask. They feel safe, and hold each other, the brother comforting his now found sister. Just then, Jason leaps out of the water, we hear them scream, and it fades to black.

      As I said, I enjoy this remake, but it is in no way like the originals. Too much is crammed into the hour and a half run time. It was almost as if they had a checklist with plot points from the first three films they wanted to hit. The story is not original, the deaths uninspired, and some of the acting eaves a lot to be desired. It did have a decent box office return though, and rumors have been off and on of a sequel. I don’t know though, maybe it is best to let Jason lie in his grave for good. My final verdict…average.

    The series as a whole is still one of my favorite horror franchises. Although it may sound as if I hate a few of the entries, I don’t, but when put in the context of the other films, there are some that are just way below par. I still enjoy watching them though, if only for the groan worthy scenes that still make me laugh. Please, do not take everything I say about them to heart, I am merely an entertainer with an opinion, and as with all opinions, yours will invariably vary.

    Jason Voorhees is an American icon of the silver screen. Most see a hockey mask, and think of him. The early films help define a genre, and are considered masterpieces for their time. Some of the later films may have lacked the polish of those, but they can still be watched for the fun campyness. So, this Halloween, sit back, relax, and watch a few misbehaving teens get what they deserve in Jason’s woods!  Whatever you do though, never say “I’ll be right back!”  Till next time, thanks for reading and I hope you enjoyed this look at one of my favorite franchises.


He really loved his mommy!



  

Friday, October 21, 2011

Ship History 4

Ship History 4

By

Kevin Scott Bolinger


   Welcome aboard everyone. I have decided, since I cannot guarantee a monthly schedule to these, to simply rename this portion of my blog as Ship History. For this entry, I have decided to look at my first White Star Liner. No, this one is not as famous as some of her larger cousins. This particular ship was built for the immigrant trade to Australia.  Though her name is not famous, she does hold two rather unique records in the annals of maritime history, both of which I will get into in detail below. The subject this week is, the SS SUEVIC.
White Star postcard of  SUEVIC.

     In the late 1800’s, there were numerous shipping lines that crossed all the oceans of the world. One of the most famous of the era was Britain’s White Star Line. White Star always prided itself with providing comfort and excellent service, over speed. Though the lines most famous liners would be found on the Trans-Atlantic run, the line itself had routes all over the world. With immigration opening up in New Zealand and Australia, it was necessary to build ships capable of making the long journey around the Cape of Good Hope in southern Africa.

     In the 1890’s White Star ordered from the Harland and Wolff shipyard in Belfast Ireland, five ships that would become known as the Jubilee class, named after the Queen’s jubilee anniversary, which coincided with the launch of the first of the class,  AFRIC. She was soon followed by MEDIC, PERSIC, RUNIC, and finally, SUEVIC, the largest of the five.

      SUEVIC had her maiden voyage in 1901. At 550 ft in length, she was certainly no record breaker. Her top speed of 14 knots meant that she was very economical, able to carry more then enough coal in her bunkers to make the nearly month long voyage to Australia. She had a fairly incident free life, for her first six years on the sea. All that would change however, when in March of 1907, she would run aground, not far the Southeast coast off England.

     Under the command of Thomas Jones, who was retiring as soon as the ship made port,  SUEVIC left Melbourne on February 2nd. She had numerous stops on her way, all scheduled. Her ultimate destination was Liverpool. The voyage was fairly uneventful, until they encountered fog, some one hundred and forty miles off of a dangerous point of land known as the Lizard.

    At noon, on March 17th, the crew were able to get a fix on their position, but as soon as the fog closed in, they had no idea where they were. It was decided by the captain that they would have to take a reading off the Lizard lighthouse as they approached. It was not until 10 pm that night that they finally saw the light from the lighthouse, but the fog was playing tricks on them, and their calculations were off. Twenty minutes after sighting on the lighthouse, SUEVIC ran full steam into the rocks of the Lizard. Numerous attempts were made to back her off the rocks, but they were unsuccessful. SUEVIC was stuck fast!

Stuck in the rocks.

     Though the ship was stuck in the rocks, there was no chance of her sinking. The local lifeboat rescuers were called upon to see to the evacuation of all the passengers. Being the ship was close to shore, this was not too difficult a task, and it only too sixteen hours to completely remove all the passengers and non-essential crew.  The real problem was how to get the ship off the rocks.

     For most ships in this situation, usually by lightening the ship, removing all cargo and unnecessary items, is sometimes all that is required. In SUEVIC’s case, the lightening did nothing to free her. What most likely would happen in a case such as this, the ship would normally be declared a total loss, and a salvage company would scrap her where she lay. This would not be the case for SUEVIC. It was decided by both White Star, and Harland and Wolff, that since only her bow section was stuck, they would simply cut away and salvage the rest of the ship.

The cutting of the hull, almost complete.

    White star busied themselves in hiring demolitions experts, since the only feasible way to cut the ship in two at the time was with explosives. While that was going on, Harland and Wolff got out the blueprints to SUEVIC, and began construction of a new 212 ft bow section in Belfast.

     In early April, 1907, the separation of the bow and stern was begun. Carefully shaped and placed charges were laid by both divers and other salvage workers. It took many days for the two halves to be fully separated, but eventually, the stern section was able to float free, her forward bulkhead holding. In this manner, she was able to steam under her own power, mind you, in reverse, back to the nearest post, Southampton.

SUEVIC's bow, left to the elements.

     By October, 1907, the new bow section was ready to be launched.  It was with this launch that SUEVIC  earned her two records The first being that her bow section was the largest ship to date to ever be launched bow first. Her second record, though this one was more tongue in cheek, was that with her bow floating in Belfast, and her stern floating in Southampton,  SUEVIC was technically the longest ship in the world. Her new bow was towed to a waiting dry dock in Southampton, where the two halves were put together. By January, 1908, SUEVIC was back in service after what can only be described as the most ambitious salvage operation to date.

Stern section, after separation.

     Life returned to normal for the ship, until the outbreak of World War One. She was called up for government service, along with her other four sisters. Used mainly as supply ships for the war effort, SUEVIC did make one trooping voyage during the war. After that, she was simply used on her normal route, though still under control of the crown.

    After the war, SUEVIC was given a much needed refit. Her passenger capacity was increased, and she would go on to give good service to White Star until 1928. By this time, she was beginning to show her age, and it was decided to pull her from her intended route. Soon after she was sold to a Norwegian whaling corporation, who rebuilt her into a whaling factory ship, named SKYTTEREN.

The new bow.

     She was a very reliable ship for her new owners, giving them many years of outstanding service. All that, unfortunately came to an end in World War Two. In April of 1942, SKYTTEREN was one of ten ships fleeing Nazi occupation. British warships were waiting to escort the small fleet to safety, however, the Swedish government  would not allow them to make port. Instead, they steered the ten ships towards a waiting group of  German warships and submarines. Unfortunately, the Germans were between the small fleet and their waiting British escort. Of the ten, only two made it through . Two others turned around and headed back to their home port. Of the remaining six, all were either sunk or scuttled by their own crew. SKYTTEREN  fell under the later, with her crew scuttling the ship, then spending the rest of the war as prisoners.

The two halves being put together in dry dock.

      Thus ends our tale of a rather unique ship in maritime history. Her salvage and reconstruction had never been done before, or since. She was an average ship for her day, but she managed to have an above average career  with more then one company. Her loss, though necessary, is still a sad outcome for such a noble vessel.  I am glad I had this opportunity to share a little of her history with you.
Stern of the whaling factory ship SKYTTEREN.


      Next time, since we are heading into November, I will bring you what is perhaps the most famous shipwreck to occur in that month. A shipwreck that would go on to inspire a popular song in it’s day. Till then, may the wind be at your backs, and may you all have safe and happy voyages!
Skytteren near the end of her life.

Tuesday, October 11, 2011

Reviewiverse : JAWS

                      Jaws : A Retrospective
                  By
                      Kevin Scott Bolinger



Movie Poster

   The word blockbuster is used to describe any film , usually shown in the summer months, that makes over 100 million in the domestic box office. Many famous films have had that distinction. Films like Star Wars, and its sequels, and prequels, Terminator 2 : Judgment Day, Independence Day, the list goes on and on. All these films owe their moniker of blockbuster to the film that started it all. The first ever blockbuster, 1975’s Jaws.

   Jaws, directed by a then very young Stephen Spielberg, was originally a novel by Peter Benchley . Set in the small town of Amity Island, a fictitious beach resort just off Long Island in New York State. It is simply a tale of a monstrous great white shark attacking the community and causing havoc as the Fourth of July holiday approaches. The book was a hit, but would pale in comparison to it’s celluloid offspring.

   Many changes were made turning the novel into a screenplay. For one, the Brody’s had three children in the book, while the film it was just two. A plot where Matt Hooper and Ellen Brody had an affair was dropped completely. Also, Hooper did not survive the book, his fate was far different. And as for the shark hunter, Quint, he did not use a harpoon gun, and his fate was closer to Captain Ahab. Even the shark itself met a different fate, simply dying of exhaustion from the chase, the barrels harpooned into it finally taking its toll. It was, how they say, anti climatic.

   The film itself was mainly shot on Martha’s Vineyard, NY. It was plagued by production problems, delays, and nearly cost Spielberg his job. Rewrites were being done at night, special effects men would try in vain to get the mechanical shark to work. There is a joke that Richard Dreyfuss always says when being interviewed about Jaws. There were radios all over the island, and everyday you would hear from them “The shark is not working, I repeat , the shark is not working.” This unwittingly became a blessing to the production, in that Spielberg had to come up with ways of showing the shark , without actually showing the shark. It led to the whole “less is more” approach, made famous in this film. Not seeing the shark seemed to elicit more terror from audiences. It was a masterstroke, all brought about by a faulty mechanical shark, named Bruce, after Spielberg’s lawyer.

    The casting was almost perfect. Police Chief Martin Brody was played by the late Roy Scheider, marine biologist Matt Hooper, played by Richard Dreyfuss, and in what became his most famous roll, the infamous Captain Quint was played by the late Robert Shaw. The three men would dominate the last half of the film. Not just a chase , or a hunt, it had real human moments, where the three men would bond.

   The supporting cast was also good, Lorraine Gary as Ellen Brody, the Chiefs loving wife. The late Murray Hamilton, as Mayor Vaughn, a man who would make errors in judgment over what he felt the best course of action was in dealing with the shark. Jeffery Kramer as Hendricks, Brody’s deputy.

   The film opens with an underwater shot, a fishes view of swimming, with the famous two note rhythm of John Williams’ score. We then see a beach party late at night, teens and young adults gathered around bonfires, drinking, relaxing. A young man catches the eye of a young girl, and she runs off. As he gives chase, she strips bare and wants to go swimming. Unfortunately, the man is far to drunk to follow, and he passes out on the beach.

   The young girl swims out towards a buoy, when suddenly something grabs her. What follows is a vicious and visceral scene of the girl being dragged violently back and forth in the water, pleading for help. She is briefly let go, grabs the buoy, only to be attacked again and dragged under.

   The next morning finds Chief Brody in his house, getting ready for work. He receives a phone call from the station, a man reporting a missing bather. After heading to the station, he, the young man, and Hendricks head to the beach where the young man had passed out the night before. As Brody questions the man, Hendricks blows his whistle, signaling the two men to his location. What they see is very disturbing, the remains of the girl, covered with seaweed and crabs. There isn’t much left of her.

   Back at the station, Hendricks and the young man are looking a bit sick, and in his office, Brody is typing up his report, a towel around his neck, he too had been sick. The coroner calls, and tells Brody it was a shark attack. Brody reacts quickly, asking his secretary for a full list of water activities planned for the day, then runs out to get some supplies.

As he walks back to the station with supplies, Hendricks pulls up to tell him a group of boy scouts is in the bay earning their merit badges. Brody gives the supplies to Hendricks, instructing him to have them with Beaches Closed, No Swimming. He then tells Hendricks to let his secretary do the printing. Brody leaves in the truck to stop the swimmers in the bay.

    As he drives onto the ferry, asking the ferryman to take him to the swimmer, another car pulls onboard. The Mayor, along with the newspaper editor, Meadows, and the coroner. The coroner changes his opinion, stating that it was a boating accident that claimed the girl, not a shark. The mayor tells Brody that he was overreacting and that he cannot close the beaches. Brody gives in, a decision he will soon come to regret.

   The next day, Brody and his family are on the beach with other locals. Tourists had yet to arrive, so things were quiet. As he sat there, locals would talk to him, yet he was paying more attention to the water. And then, to his, and everyone else’s horror on the beach, a young boy, Alex Kintner, is attacked while riding his rubber raft. Huge fins briefly break the surface as the boy is pulled down, a pillar of blood and water geysers upward.. Everyone flees from the water, only to have a mother, walking alone on the shoreline calling for Alex, his torn up and bloody raft feebly coming ashore.

   Alex’s mother puts out a $3000 bounty on the shark. During the emergency town meeting, Brody does say that he is closing the beaches. The mayor interjects saying it will only be for twenty-four hours. As argument ensues, a screeching is heard on the blackboard. Everyone looks to see the smiling face of Captain Quint, local shark hunter. He offers to kill the shark for $10,000, and warns them that if they decide to play it cheap, they will all be on welfare for the coming winter. His offer is…take under advisement.

   At the town docks the following day, hundreds of fishermen show up, hoping to claim the bounty. Young Matt Hooper comes onto the dock with help of local Ben Gardner. Matt was called in by Brody to help them figure out what they are dealing with. He examines the small remains of the girl, and says conclusively that it was a shark. On the docks, a group of fisherman have arrived with a very large shark carcass. Hooper measures the bite radius and determines it is not the shark they are after. Brody and Hooper tell the mayor, but he is adamant that they have the beaches open for the fourth.

   Brody sits at his dinner table that night, at a loss for what to do. As he sits there, Hooper shows up with wine, and invites himself to dinner. He tells Brody he wants to cut the shark open. It is a tiger shark with a very slow digestive system, so whatever it had eaten in the last few days would still be inside. They go to the docks and cut open the shark, finding only fish, a tin can and a license plate from Louisiana. They decide to hop on Hooper’s boat to search for the shark in the dark.

   They come upon Ben Gardner’s beat up fishing boat, prominent bite marks on it. Hooper decides to dive down to check Gardner’s hull. He sees a very large hole has been bitten into the boat, he then extracts a huge tooth, only to drop it when the corpse of Gardner, missing his eye, floats into the hole.

   The next morning finds the two arguing with the mayor. Hooper explains that they have a great white shark patrolling Amity’s waters. They go back and forth, the mayor not budging. They decide to bring on extra help, and have boats patrolling the beaches on the fourth.

   As bathers are enjoying the water, a shark fin appears, moving among them. There is a panic, and everyone exit’s the water. As the boats converge on the fin, it turns out to be two kids, playing a prank.
Meanwhile, in the estuary, Brody’s oldest, Michael and his friends are having issues with Michael’s sailboat. A woman onshore spots the shark just beneath the surface but no one believes her. A man is a dingy tries to offer advice to the boys, as he does, the shark bumps his boat, causing the man and also the boys on the sailboat to plunge into the water. The man is attacked, his severed leg sinking to the bottom. As Brody arrives, the shark heads back out to sea. His son is pulled onshore, in shock. He is taken to the hospital.

   In the hospital, Brody confronts a very distraught mayor Vaughn. He forces the mayor to sign the contract to hire Quint to kill the shark. Brody and Hooper then go to Quint’s house near the docks. Inside he has the jaws of hundreds of sharks he had killed over the years. They discuss terms and drink some homemade hooch.

The ORCA

   Now the real fun begins. Supplies are loaded onto Quint’s boat, the Orca. She is old and very well used. A shark jaw adorns her flying bridge. Yellow barrels adorn the bow, in front of them, an extended pulpit used for shark hunting. The three set off, Quint showing that he may not be quite right in the head. He and Hooper clash on numerous occasions. Brody is set to making a chum slick, to try and attract the shark. Hooper mans the flying bridge, but with the tide carrying them, he has nothing to do. Quint sits in the fighting chair, a rather large fishing pole in his lap. To help kill time, he tries teaching Brody how to tie knots. As Brody is practicing, Quint notices his line being ever so slowly being taken. He harnesses himself to the chair, and suddenly the line goes ripping from the pole.

   Quint barks orders to the two men, Brody to dump water on the reel to cool it, Hooper to start the engines and follow the line in the water. As Quint begins to slowly reel in , he realizes the shark has gone under the boat. Hooper is not convinced that it is the shark they are looking for. Quint orders them to put on gloves and Brody sees the leader wire. Hooper attaches a line to the leader and as he pulls, the leader snaps, throwing him to the deck. Quint and he argue, and Quint points out that whatever was on the line, had bitten through the piano wire he was using as a leader.

Brody, look behind you!
   More time passes, the three men doing nothing much more then sitting. Hooper plays solitaire, Brody Just sits against the transom, and Quint sits up in one of the crows nests in the ships mast. As he climbs down, he orders Brody to restart the chum line. He then orders Hooper to start the engines and go slow ahead. We now come to what is perhaps the most famous line from this film, a line completely adlibbed by Roy Scheider. As Brody tosses chum into the water, complaining, not paying attention, the shark rears its very large head out of the water. Brody is in shock, and slowly walks backwards into the boats cabin. He turns to Quint and says “You’re gonna need a bigger boat.” Quint takes that in for a moment, then runs out and orders Hooper to stop the engines.

    As the engines stop, the shark glides by, and the three finally see the monster they have come to kill. Hooper declares it a twenty footer, the more experienced Quint makes it to be twenty-five feet, and three tons. Quint grabs his harpoon gun and heads to the pulpit, while Hooper is trying to get Brody to pose in the foreground for a picture. Quint orders Hooper to attach the harpoon line to the first barrel. Hooper runs and grabs a piece of equipment first, delaying Quint from firing the harpoon into the sharks head. Hooper quickly ties the barrel to the harpoon, and in the last second manages to attach a radio tracker. The harpoon lodges in the sharks dorsal fin, and the barrel is pulled into the water. The shark then dives, dragging the buoyant barrel with it. Darkness begins to fall, as Brody tries to convince Quint to radio in for a bigger boat.

   Later that night, the three men are in the cabin, drinking. Hooper and Quint compare scars, the three bonding. Brody asks about one particular scar. It was from a removed tattoo of the USS Indianapolis. Quint then tells then the tale of the loss of the ship to Japanese torpedoes. Eleven hundred men went into the waters of the pacific. Sharks came in and tore many to pieces. For three days the survivors floated in the water, in the end, a little over three hundred were taken out , the sharks got the rest. This gives much insight into Quint’s character, and his hatred of sharks. As they begin singing, the camera switches to outside, where a barrel with a beeping transmitter makes its way to the boat. Suddenly the boat is attacked, small leaks begin, then the power to the lights is cut. Quint tries in vain to shoot the shark in the dark, but it leaves.

   The next morning finds the men repairing the Orca. The rudder is bent, salt water has leaked into the fuel. As Brody is on the bridge moving the wheel to help Quint, he spots the barrel. Quint rigs another barrel and gets the shark in its lower jaw. The shark dives again. Shortly thereafter, the barrels resurface. Quint has them snag the lines and tie them to the transom. As he begins trying to pull the shark with the barrels attached, the shark does the impossible and begins pulling the boat, backwards. The cleats are pulled right from the transom. The shark gets a third barrel attached and dives again. Brody tries to contact the Coast guard, but Quint destroys the radio.

    The barrels reappear, and Quint decides to lead the shark to shallow water and drown it. The shark chases them, forcing Quint to push the Orca’s damaged engines too far. The engines explode, and they are left adrift, as the barrels yet again sink beneath the surface.

     Quint asks Hooper if he has anything that can help. Hooper has poison onboard that can kill the shark, but he would need to get into his anti-shark cage and use a harpoon to get the shark in the mouth to inject the poison. The put the cage together, Hooper loads the harpoon, and is lowered into the sea. The shark glides by, and Hooper is shacked at its actual size. It vanishes into the gloom, and as Hooper is searching for it, it attacks the cage from behind. Hooper stabs its snout with a knife, the harpoon being lost in the violence of the attack. He manages to swim over the shark and hide in some seaweed as the shark attacks the cage and pulls the Orca lower into the water. The supports on the boat break and Body and Quint rig something quick to bring the cage up.

Farewell and adieu Quint...
    They look at what’s left, and as its dropped into the water, the shark leaps from the sea and lands on the transom, pulling the Orca down to sea level. Brody is in the cabin, trying to hold onto Quint, but loses his grip. Quint slide down the deck into the waiting jaws of the shark, trying to kick it away. The shark bites down on Quint’s legs, and as he screams, he stabs the shark with his machete. He is pulled deeper into the sharks mouth, and as he dies, the shark slides back into the water, with his body.

   Brody is now alone on the sinking boat. The cabin is level with the sea and the shark breaks in, opening its mouth to reveal bits of human flesh clinging to its teeth. Brody grabs one of Hooper’s extra air tanks and hit’s the shark repeatedly, until the tank gets lodged into the monsters jaws. Brody makes his way to the mast, climbing as high as he can while the boat sinks. He has a hand held harpoon and Quint’s rifle. The shark attacks again, and he stabs it repeatedly with the harpoon till it leaves. Brody then see the shark making a long distance run on him, he aims the gun, and fires numerous time, hoping to hit the tank in its mouth. As he says “Smile you son-of-a-bitch!” his shot connects and the shark is blown to bits.

"Smile, you son of a..."
   As Brody clings to the mast, it and the bow the only parts of the Orca not yet sunk, he is startled by Hooper as he resurfaces. The two men rig the remaining barrels together and make the long swim back to shore.

   The film became an instant hit. People were terrified to go swimming. Spielberg had created a masterpiece despite the production problems. The brilliance of using the yellow barrels to represent where the shark was during the hunt only added to the terror and fun.

   The USS Indianapolis speech became so well known, it inspired one young man to search out the truth about the lost ship. Most of that speech was filmed while Robert Shaw, a known alcoholic, was extremely drunk. Feeling embarrassed, some of it was re-shot the following night, yet most of the footage in the film was from the drunk cut.

   The film went on to gross over one hundred million , and given inflation, it still ranks as one of the highest grossing films of all time. It spawned three sequels , yet they paled in comparison to the original.
Even now, there are rumors of a remake. Some hope these rumors are false.

   The fan following for this film, even after thirty-five years is still very high. One of Roy Scheider’s last appearances is in the documentary, The Shark is Still Working. Unfortunately, Universal pictures has been dragging its feet on getting this wonderful documentary on the making and legacy of the film out on DVD for all to enjoy. Every year, thousands flock to Martha’s Vineyard to visit the areas where Jaws was filmed.

    It is the perfect summer movie. It has action, horror, comedy, and suspense rolled into one. To quote John Williams after he saw the rough cut , before creating his magnificent score, he said to Spielberg “Oh, you made a pirate movie!’ And yes, the second half did have that swashbuckler feel to it. Three men on a boat, against a force of nature. Can you ask for more from a film?

   I first saw this film when I was close to twelve years old. As soon as it got to the hunt on the sea part, I was hooked. I taped it off of TV, and would watch it over and over, wearing down the tape. I bought the VHS version when I started working, that too got worn down. I got the first DVD release, yet when the thirtieth anniversary edition came out, I was first in line to snatch it up. Jaws is my all-time favorite film.

    Without this film, where would Spielberg be? Would he be the powerhouse director he is today? Would films such as Schindler’s List, Jurassic Park, and Saving Private Ryan even exist? He was a relative unknown, having only directed Duel and The Sugarland Express, neither one smash hits, yet not bad films in their own right. Universal took a big chance on him, and it nearly became too much for him. Jaws started a tradition that Spielberg follows to this day. He is never on set for the final shot of the film. He did that on Jaws, because he was afraid the cast and crew might murder him after what he put them through. Yet, in the end, it was all worth it.

   Jaws would go on to win three academy awards, Best Score, Best Sound, and Best Film Editing. It was nominated for best picture, losing out to One Flew Over the Cuckoo’s Nest. Over the decades it has found itself on numerous top one hundred lists. The Library of Congress deemed the film, culturally significant, and has had the film preserved.

    It inspired rides, and helped build theme parks. Jaws is still a hit attraction at both Universal Studios parks (Since this was written, the Jaws attraction in Orlando,FL has sadly been removed. I had the pleasure of going on this ride back in 1998, and it was very memorable.). There are still people to this day that will not enter the water. Spielberg himself usually will only wade up to his ankles, fearing reprisal from sharks for making the film.

     Jaws has even inspired games. The NES version was a mild success, but not very user friendly. It had elements from the original, but was mostly based on Jaws The Revenge, the third and worst sequel. A few years ago, a Jaws game was released on the PS2. It was not the greatest game, plagued by glitchy controls , a bad story, and only decent graphics. Yet it was unique in that you played as the shark, devouring humans, seals, whales, and other sharks. You could destroy boats, slide on beaches to grab bathers, and special killing moves, such as tossing a bather in the air and jumping up to chomp them as they fell, limbs flying everywhere. It was fun to play, just from that aspect alone. If the story and controls had been better, it might have been a hit.

    If you have never seen this film, do yourself a favor, rent it, turn down the lights, grab a bowl of popcorn, and enjoy! You will be treating yourself to a cinematic masterpiece.

     What else can be said, if you ever find yourself in the ocean, on a boat, and a monster shark appears, make sure you tell the captain he is gonna need a bigger boat!


The Triumvirate!

Saturday, October 8, 2011

Ship of the Month 3

Ship of the Month 3

By

Kevin Scott Bolinger


   Hello and welcome aboard once again to my ship of the month. Forgive the absence of this, as real life has gotten in the way of my writing. This month, I will take us farther back in time then I have thus far. I bring to you a vessel of old, powered not my steam or diesel, but by wind. I bring you the true story that inspired one of the greatest novels of the nineteenth century, MOBY-DICK. Let me now welcome you aboard the whaling ship ESSEX  and her fateful meeting with a sperm whale in the Pacific ocean. Let me just add that this ship was covered in fantastic detail by Nathaniel Philbrick in his book  In The Heart of The Sea. I highly recommend this outstanding look at a lost piece of American history.
An early example of whaling.

    To begin this tale, we must delve into the history of whaling itself, at least where it pertains to the  ESSEX  herself. Whaling for the early United States was mainly begun out of Nantucket island. In the early days, when whales were plentiful, long boats would be launched from shore, with harpooners aboard. The crew would row out to a pod of whales, and then strike. With the harpoon struck fast, the men would be taken on what became known as the “Nantucket sleigh ride,” where the whale would pull the long boat behind it till it grew tired. Lances would then be deployed, striking the worn out whale till it spouted blood. The whale would then be towed back to shore for processing.

     The men from Nantucket grew quite good at their jobs, so good, in fact, that the whale populations fell sharply in the waters near Massachusetts. A new way was needed to hunt the whale. So, the whale ship was born. A vessel, capable of circumnavigating the globe in search of it’s prey. Back n land, the whales would be cut up, and the blubber taken to rendering factories, where the oil would be extracted. A portable rendering factory was soon placed on board whale ships, allowing them to travel further, rendering the oil themselves, and storing it in barrels for the trip home. Traditional methods, such as the long boats and harpooners were still employed, but now the boats were launched from the ship to hunt.

A Sperm Whale, largest toothed mammal on Earth.

     Originally, the Right Whale was the proffered species to hunt, but soon man discovered a substance that existed in only the brain casings of Sperm Whales,  spermaceti, a waxy substance used back then to make long burning candles, soap, and other useful products. They would also find the highly sought after ambergris, another waxy substance found in the animals digestive tract, that when aged, became a fixative for use in perfume. In this way, the sperm whale became a highly profitable whale to hunt.

     Folks today look at television programs, like Deadliest Catch, and think how dangerous it is. It is nothing compared to hunting sperm whales. The death rate for whale men was extremely high. Some ships would set out from Nantucket, never to be heard from again. Many a Nantucket widow would keep her lonely vigil, waiting for husbands that would never return.  Today, many sea shore communities have houses featuring porches on the second, or even third floors, know as widow’s walks. They are called this, because in the days of whaling and wooden ships, that is what they literally  became. It took men of great courage to hunt the sperm whale, and despite the mortality rate, it was a very lucrative career.

     As time went on, and the task of whaling grew more successful, the ships would have to travel farther and farther to get sufficient quantities of oil. Voyages would regularly last two, even three years. As whales in the Atlantic grew scarce, men pursued them to the Pacific, either by going round South America’s horn or by way of Africa’s Cape of Good hope. Both were very dangerous propositions, not to be taken lightly. Deadly storms would swallow whole vessels, leaving no trace in their wake.

Model of the ESSEX.

    The ESSEX herself was laid down in Nantucket in the late 1700’s. At 87 ft in length, and only 238 tons when empty, she was small for a whale ship. However, she had many successful voyages in her day, and was thus considered a “lucky” ship. She was laid up and extensively refitted in the winter of 1819. By mid summer, she was ready to depart, under the command of 29 year old George Pollard, Jr., one of the youngest men to ever captain a whale ship. His first mate was 23 year old Owen Chase. The two men had served together on the  ESSEX during her previous, highly successful voyage, prompting both men to be promoted upon arrival back in Nantucket. Thomas Nickerson was the youngest on board of the twenty-one man crew. At 15, he served as cabin boy.
   
      The ship had four whale boats on board, all clinker type boats. A clinker boat was built with overlapping planks, instead of the traditional flush fitting planks which provided better water tightness. The clinker boat was not made to be durable, but was built for speed, they had to be able to easily catch a whale once they were lowered into the water.

      On August 12, 1819, the ESSEX set out from Nantucket on what was supposed to be a two and a half year voyage to the whaling grounds off the Pacific coast of South Africa. The voyage had an ominous start, when two days out from Nantucket, the ship was caught in a sudden and very deadly squall. She lost her topgallant sail, and three of her four whale boats were destroyed. Instead of turning back for repairs, Captain Pollard decided to press on.

      In January of 1820, the ship began to round South America’s Cape Horn. Again, she ran into many storms, and it took her five weeks to round the cape and enter the Pacific. The men began to speak of ill omens, some wishing to return to Nantucket empty handed. In fact, in September of 1820, one of the men, Henry De Witt, would desert the ship when she landed in Ecuador to re-supply.

     After the long winter spent mostly rounding the horn, the ESSEX  and her crew found themselves spending the spring near the Galapagos islands where they could get new provisions. During the long voyage, the ships carpenter had built three new whale boats, with help from some of the other crew members. However, upon reaching the nearby fishing grounds, they came to learn that the whales had been fished out. A few returning whale ships informed Pollard and his men that a new whaling ground had been discovered. The catch was that it was 2500 miles to the south-west. The ship had never before been taken so far from the safety of land. It was a long trip, but, they had to do it, or return profitless.

     This area of the Pacific was fairly unknown in that day and age. Rumors of many islands populated by cannibals abounded. Yet it is to this uncharted region the ship and her crew were soon heading towards. Upon arrival, they were coming up empty, day in and day out. Tension began to rise, especially between Pollard and his first mate Chase. Chase’s whale boat had been heavily damaged when a whale surfaced directly below it. Then, on the early morning of November 8, 1820, the lookouts spotted a pod of whales. Three of the boats were lowered into the water to hunt. Chase’s boat was again damaged, when the whale they had harpooned struck it with it’s fluke, breaking open the planking.

     While Chase and his men returned to the ship, now empty handed, the Captain in his boat, and second mate Matthew joy, had each scored hits, their boats being dragged n Nantucket sleigh rides. Chase was on board the ESSEX, repairing his boat when he spotted a rather large male sperm whale acting odd a few hundred yards off the ships port side. The whale , unusually large, estimated at 85 feet in length, or roughly the size of the ESSEX herself, laid upon the surface, it’s head pointed towards the ship. Suddenly, it began to move, picking up speed until it rammed the vessel on her side, causing the ship to heel over. As she righted herself, the whale surfaced along the starboard side, its head near the bow, tail by the stern.

A drawing of the whale's first attack.

    Chase looked down upon it, thinking the whale had been stunned by the impact. He grabbed a harpoon, and was going to strike, when he noticed how close the beast’s fluke was to the ships fragile rudder. If he harpooned the whale, it could destroy the rudder, trapping the ship in the middle of the Pacific ocean. In hindsight, this might have been a better option. What happened next had never been seen before in the recorded history of whaling. The whale moved away from the ship, and resurfaced some 550 yard away. It turned its head towards the bow, and began to approach, even faster then before. With a mighty crash, it slammed head on into the bow, crushing it and pushing the ESSEX backwards! After the whale dislodged itself, it swam off, never to be seen again.
 
     The ship was sinking fast. Owen Chase moved as quick as he could to get rigging into the last remaining whale boat. The steward went below, grabbing what navigational equipment he could. As the ship went under, the Captain and Second mate’s boats returned, after seeing the attack from a distance. They two had cut their prey free to return to the stricken vessel.
Thomas Nickerson's account of the sinking.

    For two days, they salvaged what supplies they could from the ship, then the three boat, woefully under supplied with food and fresh water, headed away from the scene. The captain wanted to steer a course to the west, using the prevailing winds to carry them to the Marquesas islands, the nearest too them, yet still over 1,200 miles away. The crew, lead by Owen Chase, objected, fearing cannibals, and demanded to head towards South America, some 2,000 miles east. The flaw in this plan was they would have to sail south, until the prevailing westerlies could carry them to South America, which by that time would then be 3,000 miles away. This decision would cost all but eight of the remaining men their lives.

     As the days became weeks, supplies began to run out. Then, miraculously, the men spotted an island, just as the first of them were beginning to die from dehydration. They landed on what is known as Henderson’s island, which is a part of the modern British territory including the legendary Pitcairn’s island, where the famous mutineers from the HMS BOUNTY would make their home, but that is a tale for another day. Henderson’s island had  fresh water spring, and there were fish and birds prevalent. However, by December 26, 1820, the men had exhausted most of the tiny island’s food supplies. All but three men decided to return to the boats.

    On New Years Eve, those that were leaving, having gathered supplies for the trip, had returned to the water, and set off. However, within three days, they had consumed all the fish and birds they had gathered on the island.  All they had left were a few rations of bread salvaged from the ESSEX. Yet again, the men began to die. The first of them to go, second mate Matthew Joy, died on January 10, 1821. He was sewn up in his own clothes and buried at sea. At this point, I will tell divergent tales, as a storm came up, separating Owen Chase’s boat from the other two.

    Chase’s boat, with fellow survivors, Richard Peterson, Isaac Cole, Benjamin Lawrence, and the young cabin boy, Thomas Nickerson, found themselves alone. On January 18, Peterson died, and he too was sewn up in his clothes, and buried at sea. He was followed on February the 8th by Cole, but unlike the others, he was not buried at sea. Chase and the other two remaining men had a very long discussion. With food running out, it was decided they would have to survive off of Cole’s remains. By the 15th, even that morbid source of food had become exhausted. Luckily, three days later, the British whaler INDIAN spotted the three men, and they were quickly rescued.

    Captain Pollard now only had two boats left of his command.  The second boat, now under command of Obed Hendricks, ran out of food on January 14. Pollard’s boat exhausted theirs on the 21st. On the 20th, Lawson Thomas passed away, and it was decided his body would be used to feed the rest. By the 28th, three more men had died, yet that day would see Hendricks’ boat, with Joseph West and William Bond also on board, become separated from Pollard’s. The three men were never seen again.

   On Pollard’s boat, even after consuming those that had died, the men again found themselves without food. It was decided that lots would be drawn for who would be the sacrificial lamb.  The unlucky man to draw the black spot was Owen Coffin, the young cousin of Captain Pollard, whom Pollard had sworn to protect. He offered to keep the young man from his fate, but Coffin simply replied, "No, I like my lot as well as any other." Next they drew lots to see who would kill the young boy. It fell to Coffin’s friend, Charles Ramsdell. He shot Coffin dead, and the Pollard, Ramsdell, and Brazillai Ray fed off him.

     On February 11, Ray also died, Pollard and Ramsdell using him to survive. As food again became scarce, the two men managed to live a bit longer by knowing at the bones of Ray and Coffin. By the 23rd, they had become so delusional, they never even noticed an approaching vessel. It was the DAUPHIN  a fellow Nantucket whaler. As the rescuers approached, Pollard and Ramsdell, now very dissociative,  became fearful of their own saviors.

    Shortly thereafter, in the port of Valparaiso, the five survivors from the two rescued boats were reunited. They then told of the three men they had left on Henderson’s island. A ship was dispatched, and by April 5th, though starving and near death, the three were rescued. All in all, seven crewmen had been consumed to keep those in the whale boats alive.

    All eight survivors of the ESSEX returned to Nantucket and all but one returned to a life at sea. Captain Pollard was given another whale ship, the TWO BROTHERS, but it too was lost, this time during a storm in the shoals off of Hawaii. Upon his return to Nantucket, he gave up a life at sea, becoming a Nantucket watchmen. On November 20, every year for the rest of his life, he would lock himself in a room and fast, in memory of those lost under his command.
Owen Chase in his later years of life

   Owen Chase never returned to sea. He was haunted by the memories of the experience. He was also plagued by debilitating headaches the rest of his life. He wrote an account of the sinking, entitled,  Narrative of the Most Extraordinary and Distressing Shipwreck of the Whale-Ship Essex. In late 1841, the son of Owen Chase was on board a whale ship in the Pacific, not far from the spot where his father’s ship was lost, so many years before. A chance meeting with another whaler, the ACUSHNET, out of New Bedford, MA lead to the young Chase befriending briefly a young man on the other ship. He lent this man his father’s story.

     The young man on board the ACUSHNET you ask? Why, Herman Melville, of course, who would go on to use Owen Chase’s account of the wreck of the ESSEX , to help inspire the narrative of his greatest work, Moby-Dick, or The Whale

    Thank you for letting me share this tale with you. It is a little known one from the early days of the United States. I hope you enjoyed it. Next time, I will be tackling the story of a White Star Liner from the early part of the 20th century, but not one any of you may have heard of. Till then, be well, and enjoy the voyage.